逆 A 高达的原盘正片大部分镜头是 35mm 胶片扫描而来，总体画质较好。画面赛璐珞胶片质感强烈，线条粗犷且边缘存在大量晕轮，背景纹理细节丰富但充满大量噪点。针对这种情况，我们首先对原盘进行了自适应降噪。为了避免破坏原盘赛璐珞质感，我们分离了画面的静态和动态噪点，并分别对其应用不同的噪点强度调整策略。其次，我们针对线条边缘的大量晕轮，在确保画面不受破坏的前提下采取了较大力度的去晕轮处理。最后配合中等参数的 x265 进行压制，在保证画质的情况下实现一个较好的体积画质比。
Most scenes in the original source of Turn A Gundam are scanned from 35mm films, and the overall image quality is good. It possesses a strong celluloid image style and has bold line-art with extensive ringing around edges. Textures in the background are rich in details but also full of noise. For pre-processings, we firstly applied adaptive de-noising; we then separated static and motion noise and used different noise level tuning methods; this is to avoid damages to the celluloid image style. For the extensive ringing, we adopted strong de-ringing while ensuring the image is not damaged. Encoding was done with medium x265 parameters to achieve a good size-quality ratio while maintaining the image quality.

一开始让我开 Turn A 这个坑，我是拒绝的。因为在真正的高达有胡子吗？没有！然而重温该作时，其童话般的剧情、有如宫崎骏般的赛璐珞画风、菅野洋子交响风格的音乐、月之茧、女装男主等等，最终勾起了我开坑的欲望。原盘正片强劲的噪点和晕轮、一些诸如在 24p 的正片里突然混入一集 30i 的骚操作以及充满点蠕和彩虹的上古特典，都给制作过程带来不小的麻烦。一句话，做老番真让人头秃。—— Steinbarsch

这次的番比较折腾，总监在试压了 N 个版本后才终于得到满意的体积与画质开始量产。整体压制时间较长，在双开的情况下 1950X+1080 的压制效率也要 5h 一集左右，电费都飞了 233。虽然对高达系列剧情方面都不太了解（没童年），但从音乐方面来说，菅野洋子作为日本知名的音乐制作人，在整体的音乐把控上做的无可挑剔。录音方面大量采用同期录音的方式（财大气粗），使多数乐曲都可以被以交响乐队演奏的形式再次呈现。—— 匿名压制

能找齐所有的 CD 真是幸运，里面大部分年龄已经超过我了 Σ(っ °Д °;)っ—— System

总监 / Script：Steinbarsch
压制 / Encode：匿名压制
整理 / Collate：System
复查 / QC：icefires
发布 / Upload：Yokawa
分流 / Seed：VCB-Studio CDN 分流成员（详细名单见主站）

CD: newtypefans

General
Unique ID : 77139694111827074761622423359802349726 (0x3A08908ECEF64D43B61E7F55A270989E)
Complete name : D:\SAYA IS ∞ LOLICON!\[VCB-Studio] Turn A Gundam [Ma10p_1080p]\[VCB-Studio] Turn A Gundam [01][Ma10p_1080p][x265_flac_aac].mkv
Format : Matroska
Format version : Version 4
File size : 1.02 GiB
Duration : 24 min 9 s
Overall bit rate mode : Variable
Overall bit rate : 6 030 kb/s
Encoded date : UTC 2019-09-28 16:44:50
Writing application : mkvmerge v29.0.0 ('Like It Or Not') 64-bit
Writing library : libebml v1.3.6 + libmatroska v1.4.9

Video
ID : 1
Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L4.1@High
Codec ID : V_MPEGH/ISO/HEVC
Duration : 24 min 9 s
Bit rate : 5 159 kb/s
Width : 1 440 pixels
Height : 1 080 pixels
Display aspect ratio : 4:3
Frame rate mode : Constant
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.138
Stream size : 891 MiB (86%)
Writing library : x265 2.8+10-703eade86b53:[Windows][MSVC 1914][64 bit] 10bit
Encoding settings : cpuid=1111039 / frame-threads=5 / numa-pools=+ / wpp / no-pmode / no-pme / no-psnr / no-ssim / log-level=2 / input-csp=1 / input-res=1440x1080 / interlace=0 / total-frames=0 / level-idc=0 / high-tier=1 / uhd-bd=0 / ref=4 / no-allow-non-conformance / no-repeat-headers / annexb / no-aud / no-hrd / info / hash=0 / no-temporal-layers / no-open-gop / min-keyint=1 / keyint=360 / gop-lookahead=0 / bframes=6 / b-adapt=2 / b-pyramid / bframe-bias=0 / rc-lookahead=80 / lookahead-slices=4 / scenecut=40 / radl=0 / no-intra-refresh / ctu=32 / min-cu-size=8 / rect / no-amp / max-tu-size=32 / tu-inter-depth=2 / tu-intra-depth=2 / limit-tu=4 / rdoq-level=2 / dynamic-rd=0.00 / no-ssim-rd / signhide / no-tskip / nr-intra=0 / nr-inter=0 / no-constrained-intra / no-strong-intra-smoothing / max-merge=3 / limit-refs=2 / limit-modes / me=3 / subme=4 / merange=38 / temporal-mvp / weightp / weightb / no-analyze-src-pics / deblock=-1:-1 / no-sao / no-sao-non-deblock / rd=5 / no-early-skip / rskip / no-fast-intra / no-tskip-fast / no-cu-lossless / b-intra / no-splitrd-skip / rdpenalty=0 / psy-rd=1.70 / psy-rdoq=1.00 / no-rd-refine / no-lossless / cbqpoffs=-3 / crqpoffs=-3 / rc=crf / crf=16.5 / qcomp=0.65 / qpstep=4 / stats-write=0 / stats-read=0 / vbv-maxrate=35000 / vbv-bufsize=40000 / vbv-init=0.9 / crf-max=0.0 / crf-min=0.0 / ipratio=1.40 / pbratio=1.20 / aq-mode=1 / aq-strength=0.85 / cutree / zone-count=0 / no-strict-cbr / qg-size=8 / no-rc-grain / qpmax=69 / qpmin=0 / no-const-vbv / sar=0 / overscan=0 / videoformat=5 / range=0 / colorprim=2 / transfer=2 / colormatrix=1 / chromaloc=0 / display-window=0 / max-cll=0,0 / min-luma=0 / max-luma=1023 / log2-max-poc-lsb=8 / vui-timing-info / vui-hrd-info / slices=1 / no-opt-qp-pps / no-opt-ref-list-length-pps / no-multi-pass-opt-rps / scenecut-bias=0.05 / no-opt-cu-delta-qp / no-aq-motion / no-hdr / no-hdr-opt / no-dhdr10-opt / no-idr-recovery-sei / analysis-reuse-level=5 / scale-factor=0 / refine-intra=0 / refine-inter=0 / refine-mv=0 / no-limit-sao / ctu-info=0 / no-lowpass-dct / refine-mv-type=0 / copy-pic=1 / max-ausize-factor=1.0 / no-dynamic-refine / no-single-sei
Default : Yes
Forced : No
Color range : Limited
Matrix coefficients : BT.709

Audio #1
ID : 2
Format : FLAC
Format/Info : Free Lossless Audio Codec
Codec ID : A_FLAC
Duration : 24 min 9 s
Bit rate mode : Variable
Bit rate : 700 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 11.719 FPS (4096 SPF)
Bit depth : 16 bits
Compression mode : Lossless
Stream size : 121 MiB (12%)
Writing library : libFLAC 1.3.2 (UTC 2017-01-01)
Language : Japanese
Default : Yes
Forced : No

Audio #2
ID : 3
Format : AAC LC
Format/Info : Advanced Audio Codec Low Complexity
Codec ID : A_AAC-2
Duration : 24 min 9 s
Bit rate : 169 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 46.875 FPS (1024 SPF)
Compression mode : Lossy
Stream size : 29.1 MiB (3%)
Language : Japanese
Default : No
Forced : No

Menu
00:00:00.000 : en:Chapter 01
00:01:21.081 : en:Chapter 02
00:10:03.603 : en:Chapter 03
00:22:28.347 : en:Chapter 04
00:23:38.417 : en:Chapter 05